Blue geometric abstract painting | Blue Tree Fragmentation
This contemporary painting develops a dense geometric composition organized around a stylized tree spreading across the center of the canvas. Its structure combines a multitude of squares, circles and curved lines that progressively fragment the motif while preserving the overall readability of the composition.
Created with acrylic paint applied by brush and acrylic marker on a cotton and synthetic fiber canvas stretched over a wooden frame, it primarily combines different shades of blue, from light blue to deep blue, punctuated with touches of pink, purple, white and black.
The tree motif provides a central point of focus, while the geometric forms create a regular rhythm across the entire surface. The contrasts between light and dark areas enhance the depth and allow the tree to gradually emerge from within the fragmented structure.
The black-painted edges extend the visual framing of the composition and allow the artwork to be displayed without an additional frame. A matte varnish protects the surface while maintaining a restrained finish without excessive shine.
Technical characteristics:
• Dimensions: 100 × 81 × 2.5 cm
• Diagonal: 128.7 cm
• Approximate weight: 3 kg
• Technique: acrylic paint applied with brush and acrylic marker
• Support: cotton and synthetic fiber canvas on wooden stretcher frame
• Edges: painted black
• Finish: matte spray varnish
• Creation date: November 2026
• Unique piece, signed by the artist Jonathan Pradillon
• Certificate of authenticity provided
• Careful and secure packaging
Blue geometric abstract painting | Blue Tree Fragmentation
This painting combines a highly structured geometric construction with a more discreet figurative interpretation. The tree gradually appears at the center of the composition, built from curved lines, circles and fragments that organize the entire surface.
Different shades of blue dominate the canvas and create visual depth, reinforced by touches of pink, purple, white and black. These contrasts keep the central motif readable despite the density of the grid.
The alternation between square and curved forms creates a regular rhythm, while the branches introduce a more organic direction. The artwork therefore retains the graphic identity of the Fragmentation series while introducing a clearly identifiable subject, halfway between geometric abstraction and stylized representation.
